We couldn’t allow February to roll by without talking about Black History Month. I see by the New York Times that Macy’s is celebrating by honoring the legacy of Romare Beardon. He may well be the best known of the contemporary African-American artists, but he is not certainly the only one.
Until recently, many of the most noted African-American artists were tossed into the category of Outsider art, mostly because motivated dealers searching for something new tracked down the obsessive artists and cultivated them. Artists like Henry Ossawa Tanner (1859 – 1937) and Black modernists and Abstract Expressionists could be found among lots of American Art, Modern and Contemporary art.

William T. Williams (1942 - ), Eastern Star, acrylic on canvas, 1971
In an interesting dovetailing of interests, Swan’s Auction Gallery in New York and an NAACP fueled campaign are now putting these artists into a new category, African-American Artists. The new collections coming to the fore stand to be admired. The works are simply excellent.
An NAACP backed gallery show took place last Fall in Chelsea. It was big, it was broad, it was amazing. And, on Thursday, February 16, Swan’s Auction Gallery in New York will hold its 6th annual sale of African-American Fine Art.
According to Nigel Freeman, specialist, this is the time to buy African American art. It’s not undervalued, he said recently at an “Art of Leadership” lecture; its painters have simply been unknown.
Master works by Max Roach, abstracts by Norman W. Lewis, Mavis Pusey, William T. Williams, Hughie Lee Smith cmake a commanding presence in Swann’s catalog.
By next year, we expect a few auction houses to catch on the phenom. So, if you are into excellent Americana created by a sector of the art world thath as been overlooked, check out the offerings at Swann’s.