Monthly Archives: September 2011

Societies that Preserve American Art & Antiques

America's premier museum of American fine art and decorations

If you have recently discovered a passion for things American,  you will be happy to know that there are societies and organizations dedicated to preserving different aspects of American art and antiques.

These organizations exist for the sole purpose of giving out information.  Often, they are the brain child or serious collectors and carry curatorial information that would be time consuming to access elsewhere. They are also great resources for finding people of like mind.

We will start with a very short list and as the days roll by, add on.  Also, if you know of societies and organizations, please leave a comment. We will incorporate your thoughts into the body of the blog so that it becomes a comprehensive resource.

AMERICAN FOLK ART:

American Folk Art Angel

While not exactly a society, the American Folk Art Museum is the premier institution devoted to the aesthetic appreciation of traditional folk art and creative expressions of contemporary self-taught artists from the United States, and abroad. AFAM preserves, conserves and interprets a comprehensive collection of the highest quality, with objects dating from the 18th Century to the present.

2 Lincoln Square

Columbus Avenue and 66th Street

New York, N.Y.

212-595-5933

WINTERTHUR

Founded by Henry Francis du Pont, Winterthur (pronounced “winter-tour”) is the premier museum of American decorative arts. Its collection of  nearly 90,000 objects features decorative and fine arts made or used in America from 1630 to 1860.

The collection is organized in several main categories— ceramics, glass, furniture, metalwork, paintings and prints, and textiles and needlework.

Winterthur Collection, George Washington

George Washington, from the Winterthur Collection

Famous for its American artwork, the collection is amplified with objects from other regions of the world, illustrating the active role America played in the international market.

Winterthur’s founder, Henry Francis du Pont, formed the original collection for the museum and added to it until his death in 1969.

Winterthur
5105 Kennett Pike (Route 52)
Winterthur, DE 19735

www.winterthur.org

CERAMICS:

J Palin Thorley

The Chipstone Foundation

Publishes a volume annually, “Ceramics in America”

780 North Club Circle

Milwaukee, WI 53217

 

 

 

 

 

 

 

 

ARTS & CRAFTS

Arts & Crafts Chair

The Two Red Roses Foundation

A non-profit educational institution dedicated to the acquisition, restoration, and

public exhibition of important examples of

furniture, pottery and tiles, lighting, textiles, and fine arts from the American Arts & Crafts movement

4190 Corporate Court
Palm Harbor, Florida 34683

 

 

MODERNISM

Society for the Preservation of  American Modernists (SPAM)

Celebrates the art, lives and ideas of American modernists, such as painters Arthur Dove and Georgia O’Keefe, photographers Alfred Steiglitz and Edward Weston, and dancers Isadora Duncan and Martha Graham, and more.  SPAM provides research, exhibitions and publications, as well as history of private support for the arts in the US – from the WPA to the NEA.

Modernist Illustration

 

Contact:  Rebecca Foster, President

177 Ten Stones Circle

Charlotte, VT 05445

info@americanmodernists.org


 

 

American Folk Art Museum Gets By With a Little From their Friends

AFAM

The American Folk Art Museum in New York has decided to stay the course-meaning they will maintain the museum at its 2 Lincoln Square site.

Friends stepping up to the plate to make sure that America’s folk heritage remains intact are led by the Ford Foundation.

According to a letter from Linda Dunne, acting director, several of New York’s museums have joined together in a spirit of cooperation to make the best of an impossible situation. They include The Brooklyn Museum, New York Historical Society, the Museum of Art & Design.

If you are not in tune with AFAM, it is home to some of the most accessible American art you can imagine. From early portraits by limners – itinerant artists – to contemporary artists, many of them obsessive, untrained masters who create for themselves – the museum has been supported by a long list of benefactors.

Whether  viewing the primitive scenes of Clementine Hunter, the Louisiana painter, or foraging through the text that accmpanies Henry Darger’s alien world – the work of Outsiders is a staple of the American Folk Art Museum.

For now, I’ll give a nod to AFAM and close with a promise to delve into the world of Outsider art at another time. But please, send a comment along letting us know that you would like to know more about it.

As a closing note to Ms. Dunne and Mr. Blanchard: If AmericanaWeek.com can further your efforts, we gladly offer our support.

Darger's children appear within a hair's breath of danger

Henry Darger

 

 

“Voyage on the Nile:” The Works of an American Artist in Egypt

Nike Journey, Kom-Ombo

When America’s finest 19th and early 20th C. painters traveled, they delivered back to the United States images of foreign places everyone longed to see. Eilhu Vedder’s works are among the poignant.

Currently, the Hudson River Museum in Yonkers is showing the comprehensive survey of the artist’s Egyptian drawing’s. They were created abut a century ago,  when Egypt was first welcoming tourists.

Vedder, it is said, regarded the trip as the highlight of his life, although much of his life was spent painting near Rome. This is particularly interesting as one of his early works, “The Questioner of the Sphinx” (1863), would be associated with him for his whole life.  Later on, the Egypt trip yielded 160 to 120 drawings, several paintings and a diary of his adventure.

Vedder’s images of the Nile ranged from detailed compositions enhanced with pastel to journal scribbles of only a few lines. Traveling by dahabeya, a Nile sailing vessel,

Vedder, Sailing on the Nile

he captured the Egyptian landscape and the monuments. He saw a world resonating in its ancient roots. Before many years passed, Vedders’ type of work would give way to the magic of photography.

The Hudson River Museum exhibit entitled “Elihu Vedder: Voyage on the Nile” runs   through January 8. (Just in time for American art dealers to make some of their Vedder holdings available for purchase. )

AmericanaWeek.com Launches Social and Mobile Campaign to Ignite Sales of American Art and Antiques

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When New York’s Americana Week rolls around again in January 2012, dealers and show promoters will have the support of an independent news and education source. AmericanaWeek.com and its mobile app will help sellers reach more new buyers.

When New York’s Americana Week rolls around in January 2012, it will have the trans-media storytelling power of AmericanaWeek.com behind it, driving new audiences to traditional venues. AmericanaWeek.com is the awareness campaign launched recently to help introduce the events, dealers and arts of Americana Week to new audiences.

According to the campaign’s coordinators, Eric Miller, founder of Urban Art and Antiques (http://www.UrbanArtAntiques.com) and Calendar of Antiques (http://calendarofantiques.com), and Regina Kolbe, President of the marketing firm PR To the Trade (http://www.prtothetrade.com), AmericanaWeek.com is the public’s “Gateway to Americana Week.”

The AmericanaWeek.com website covers shows, auctions, attractions, places to stay and offers travel tips. A supporting mobile app will provide immediate access to the events and participants.

“People may know about Americana Week,” Eric Miller said, “but how do you instill the desire to buy? The best way is to create a sense of pride in American works of art, much as the new Chinese buyers have in their culture and heritage.”

AmericanWeek.com addresses that with trans-media storytelling. “Simply put, that means creating interesting content about the collecting areas and then spreading it across the social channels in the ways that resonate with the users those channels.” (http://www.americanaweek.com)

Ms. Kolbe added, “Americana Week.com is the first time dealers and shows have an independent Internet source to carry their message. The message is the back-story of American art and antiques, the back-story of the American dream brought to life through the hands of painters, crafts people and makers from Colonial times to the present.

“When a connection is established between the visual and the historical, the next step is wanting to shop for authentic Americana.”

The AmericanaWeek.com website will post content from contributing editors and dealers who participate in the campaign. While press releases will not be accepted, participants will be free to write on their specialty, once the site’s coordinators approve the subject matter. An editorial board is currently being established to moderate and maintain a healthy balance of editorial matter.

At its most effective, the content will paint Americana with a broad brush, connecting socially-inclined web users and allowing them to relate Americana to their specific interests, Mr. Miller stated.

The mobile app will fill the needs of people who take their content “lite” and on the go. It also serves as an on-the-spot guide for visitors in search of specific items or specific dealers.

AmericanaWeek.com (http://www.americanaweek.com) is a co-op ad based program, open to every organization that benefits from Americana Week events. Combo media packages offer exposure on the website, the app and across social media.

For more information on how to be an AmericanaWeek.com participant, please visit http://www.AmericanaWeek.com.

See this article on Yahoo News.

See this Article in ArtFixDaily.

See this article on the Calendar of Antiques.

Looking for America in Americana

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Broadly speaking, Americana is the material products that come from a uniquely American experience. A Kentucky bureau, an Amish quilt, a Coca-Cola sign, a Schwinn bicycle and a Harley Davidson can all be seen and celebrated as Americana. To celebrate Americana is to celebrate American material culture. It’s as broad and deep as the country and open to both the narrow and expansive interpretations.

When we think of Americana, we often think of the folk art, colonial furniture and other items that relate to the people here in the early days- our ancestors. That’s one definition, and you’ll find lots of that in the

museums and shows at Americana Week. Americana goes beyond that. Andy Warhol brought forth a certain way of looking at Americana, and his iconic images are Americana as much as the soup cans he depicted are.

Then there’s the Americana of the West, and of Native Americans. As different people and cultures are woven into the American fabric, what is seen as Americana broadens and brings new stories to light.

Recently on ebay I spotted a Chock full o’Nuts coffee can with an image of the World Trade Center on it. That’s Americana. Watch an episode of American Pickers, from Coke signs to Schwinn bicycles, that’s Americana. In fact, lots of people are out there at flea markets and fairs finding Americana without ever thinking much about what it is. But looking for Americana is a process of looking for America, and one of discovering ourselves, our history and the stories about the people the items bring to life.

And so I asked a few folks for their definitions. I hope you’ll add yours in the comments section. We’ll continue to add more.

“Ordinary items that reflect the way American’s lived in the past.”

Mary Kates Ballard

“From my perspective, Americana reflects who we are. After 1830 we shook the allegiance to European roots and began to form our own ideas. Since our backgrounds are German, English, Irish, Scotch and even French, we couldn’t help but reflect those cultures. However we began to make furniture from native woods, pine, poplar, cherry and walnut instead of importing mahogany from Europe. Basic needs were met when we made blanket chests, food safes and cupboards. Many were painted and decorated to reflect the ancestry of the makers.

Booth of flag dealer Jeff Bridgman at Antiques and Art at the Armory in 2010

Women contributed by gathering together to make quilts, coverlets and carpets. These were made in the colors and designs that reflected their individual backgrounds, much the same as flags. We didn’t have fine institutions for education in the arts but we had artists who painted signs and decorated wagons and many also drew and painted portraits or landscapes for their customers as gifts or extra money.

We are a proud people and like decorative objects and so we began to create chalk ware (actually a form of paper mache) figures to resemble the fine English Staffordshire and to decorate our every day stoneware with wonderful pictures of flowers and animals. School girls practiced the art of sewing and embroidery.

Americana is really the feeling that all of these objects gives us; one of warmth, friendliness and texture. Some of us are lucky enough to have inherited the originals; others have become collectors through antiques sales and flea markets. But there are many reproductions available that will create a great Americana facsimile. Mostly Americana makes you feel good and makes you proud. Obviously as the years pass, the images will change and take on a new persona.”

Bettianne Sweeney