Monthly Archives: December 2011

2 for 1 Tickets to Americana Week Antiques Shows

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Editor’s Note: Ameicana Week is just around the corner and the benefits are starting to come in. Just today, we heard from Stella Show Mgmt. Co that a 2 for 1 ticket is available for Americana & Antiques @ the Pier and Antiques at the Armory.  Here’s the scoop, direct from Jeanne Stella.

Stella Show Mgmt. Co. invites Antiques Week in New York customers to take advantage of a “two shows for one admission” fee of $20 for both Americana & Antiques @ The Pier and Antiques at the Armory.  Admission to each show separately would be $15.00 for a savings of $10.00 per person.

These shows also offer free shuttle busses between the two shows.  There is a free shuttle bus from the Armory on 26th Street to the Winter Antiques Show at the uptown armory. (Ed note: Tickets to the Winter Show,  $20 per day, are separate.)

Antiques at the Armory

Redware plate with flag

Redware plate to be Shown on Pier 92

Antiques at the Armory, January 20-21-22, at the Armory on 26th Street, offers 100 dealers with important but affordable folk art and Americana, fine art and formal furnishings, modern design, art and lighting, ceramics, silver, jewelry, rugs, textiles, native American, and tribal artifacts.

Americana & Antiques @ The Pier

Americana & Antiques @ The Pier, January 21-22, on Pier 92, is the largest and most diverse show of Antiques Week in New York. It has been  called “the freshest show of Antiques Week.”

baseball candy boxes

Baseball theme candy containers at Antiques at the Armory

It offers many young dealers and those new to the show scene. Although heavy on folk art and country furnishings, it is also strong on silver and jewelry and is an exceptional source for industrial artifacts and repurposed and up-cycled items. Steam-punk and outsider art show up at this show too.

For more, please visit the Show page.

 

Gustav Stickley and “The Craftsman”

table on white

It is the policy of AmericanaWeek.com to offer content opportunities to our museum partners and our advertisers. This gives you, dear reader, the opportunity to hear from experts. This post on Gustav Stickley and the Arts & Crafts Movement in the United States has, as its source, David Rudd of Dalton’s Decorative Arts in Syracuse, NY. Mr. Rudd is both a Stickley collector and dealer. Dalton’s will exhibit at the Metro Show in New York.

Among the annals of American craftsmen, perhaps no one is more closely associated with the term than Gustav Stickley   (1848 – 1942). A pioneer of progressive design in the early 1900s, Stickley is best known for creating popular lines of “mission style” furniture, and promoting the Craftsman aesthetic in a magazine he called “The Craftsman.”

At the turn of the 20th Century, a generation of Americans renounced high Victorian and elaborate Beaux Arts designs in favor of a new look – one that reflected the principles of the Arts and Crafts movement, elevated simplicity to a place of prominence and honored the principles of honest construction.

In 1900, Stickley, working with designers Henry Wilkinson and possibly LaMont A. Warner, created a line called New Furniture. The aesthetic promoted straight lines with unadorned surfaces that allowed the growth rings of radially cut oak to be admired.

Within three years, the company was known as the Craftsman Workshops. By 1903, the company was offering Craftsman style home plans and the decorative accessories to enliven them.

“The Craftsman” magazine provided a community for consumers. It treated them to thoughtful articles while allowing them to peruse the Stickley catalog.

The Stickley company thrived in Eastwood, NY. According to David Rudd, collector and proprietor of Dalton’s American Decorative Arts in Syracuse, the finest Stickley items date to the years c. 1901 – 1905.

The first couple of years, 1901 and 1902, were undoubtedly Stickley’s best. This is when he produced pieces of the highest standards, designs and experimentation. The years 1903 and 1904 the architect Harvey Ellis joined the Craftsman Workshops designing some of the finest work to come out of this esteemed firm.  By 1905 catalogs had been developed with a line of standard designs, some of which would continue through the next ten years.

The Craftsman home, the Stickley aesthetic, the Arts and Crafts movement are an integral to the evolution of Americana.

Editor’s Note:  Dalton’s American Decorative Arts is located in Syracuse, NY. For more on Gustav Stickley, the Stickley Brothers, and the company today, please visit Dalton’s American Decorative Arts.

 

 

 

 

 

Discount Hotel Rates Available for Americana Week

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We are delighted to bring more added value to New York’s Americana Week with discount hotel rates. As the “Gateway to Americana Week,” our mission is to serve antiques show goers, auction buyers and the trade.  One way we can do this is by making your luxury stay more affordable. We have partnered with the Hilton Hotel New York to offer discount rates on a block of rooms.

For full details, please click through to our Stay page. If you’d like to go directly to the Hilton’s reservation page, click here.

The Hilton Hotel Americana Week rate is valid for guests staying January 17, 2012 through January 30, 2012. Reservations must be made by December 30, 2012.

This is the first of many hotel partnerships under consideration. As we continue to roll out antiques weeks sites, we will be offering collectors, show-goers, dealers and curators, a slate of excellent hotel deals.

 

CAST IRON: 12th IN A 12-PART SERIES ON AMERICANA

andirons

Many thanks to Andrea Valluzzo for her blogs on Americana. When you visit a New York antiques show during Americana Week (Americana & Antiques at the Pier and Antiques at the Armory, for example) you’ll discover  excellent examples of all Andrea has written about. In the final blog of the series, Andrea Valluzzo introduces us to cast iron objects.

Cast iron is highly popular among Americana collectors. From trivets and sad irons to bootjacks and andirons, cast iron antiques have a variety of functional ­­­­–  and decorative ­­– purposes in the home. Outside in the garden, large urns, fountains and benches enhanced outdoor living spaces.

In 1646, the first integrated ironworks plant opened up in North America. The Saugus Iron Works  roared to life along the banks of the Saugus River, ten miles northeast of Boston, MA. Iron factories soon dotted urban landscapes.patriotic cast iron urn

In New York City, J.W. Fiske became one of the most well known American makers of decorative cast iron and cast zinc in the late 19th Century. The company made garden fountains, statues, urns, and cast iron garden furniture, mostly in designs paying homage to nature. His main competitor was the J.L. Mott Iron Works, also of New York City. Mott and Fiske-signed or attributed pieces are highly sought after by advanced collectors of garden antiques.

Most cast iron pieces are functional but their design elements combine a sense of fun or fancy, such as an antique cast iron stand with nautical motifs — shells and turtles or a rare bootjack cast as a devil figure with horns – that presumably would make taking off one’s boots easier. This bootjack can be seen in Jean Lipman’s Flowering of American Folk Art, pg. 257.

Americana and historical themes are often represented.  This 19th Century pair of antique cast iron figural andirons are in the form of Hessian soldiers (seen in our featured image). The Hessians were mercenary soldiers during the Revolutionary War.

cast iron garden tableCast iron is among the most accessible of Americana collecting genres. Larger and extremely rare pieces are available for advanced collectors while smalls often appeal to new collectors looking to get their feet wet. In any case, the advice: buy the best you can afford and buy what speaks to your heart holds especially true here, Do that and your collections will always bring you joy.

 

 

FUN & GAMES: PART 11th OF 12-PART SERIES ON AMERICANA

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Just a few more days till Christmas, when millions of kids will receive electronic games. What did people do before video games? Andrea Valluzzo tells of a simpler time in America, when games were  staples of family entertainment.

I’ve written about folk art already here but as my blog series winds down, I could not resist an in-depth look at gameboards. When I first started writing about antiques shows, I’d pass antique checkerboards all the time, snap a photo every once in a while, but mostly my reaction was “hmm, OK…” and then I’d move on down the show aisles in search of a funky Mod chair or a great painted blanket chest whose photograph would leap off the printed page.

If you take the time to really look at antique gameboards, however, they’re wonderful. Classic folk art, the best gameboards retain much of their original paint. Ever versatile, they look good in any home, hung on a wall near a Pennsylvania dower chest as well as a Scandinavian armoire. From boards made for playing checkers, backgammon, Parcheesi and other more mysterious games, gameboards are mostly wooden but their looks — while all having that country appeal of primitives — can vary greatly.

Depression Era gameboard

Depression Era Gameboard

This numbered example on the right is hand painted but crafted not from wood but from a piece of linoleum. The circa 1930 piece fittingly embodies the post Depression-era spirit of “made do or do without” and the use of unconventional materials favored by Outsider and primitive artists.

An unusual example  is the American board below, with beautifully painted cherubs, circa 1870, and letters spelling out “Home.” The use of color as well as finely executed brushwork makes this piece a standout.

Cherubs gameboard

Cherubs Gameboard, Courtesy of Jeff Bridgman

A striking example I recently saw was a checkerboard that featured its center squares done in red and black bordered by a a single-row of cream- and black-colored triangles. Made in the early 1930s, the gameboard was a thoughtful birthday gift in 1934 judging by its inscription on the back. Lucky kid!

The 19th Century Parcheesi gameboard, today’s featured image, that was recently sold at auction is highly decorative, marrying fine art with folk art. The gameboard has folky yellow stars on blue ground in the corners and red-green coloring for the play area but the center panel is what makes this gameboard so distinctive, with a finely-painted landscape of a lake-front house with mountains, trees and sky in the background.

Like their folk art cousins, gameboards can bring high prices and while the better examples are increasingly harder to find, antiques dealers will scour the country in search of them, and well-timed visits to Americana Week antiques shows no doubt will turn up some iconic examples.