Category Archives: African-American Art

Antiques Dealers’ Association of America to Honor Folk Art Society

The American Antiques Show Display, 2012

Later this month the Antiques Dealers’ Association of America, a group whose mission is make more professional the business of buying and selling antiques, will honor The American Folk Art Society as the recipient of the 2012 ADA Award of Merit in recognition of the group’s outstanding contributions to the fields of American decorative arts and antiques. The award’s presentation and dinner will be held in conjunction with the prestigious Philadelphia Antiques Show at its new location at the Pennsylvania Convention Center in downtown Philadelphia on April 28th.

Established in 1978 at the forefront of American interest in the subject, the membership of The American Folk Art Society has devoted itself to raising awareness of 18th- and 19th-century American folk art through research and writing, lectures, and the support of public exhibitions. Although a few early American collectors such as Abby Aldrich Rockefeller, Electra Havemeyer Webb and Bertram K. and Nina Fletcher Little made the acquisition of folk art throughout the 20 th century a priority, the real movement to appreciate this untrained and expressive art for its own aesthetic merit did not gain momentum until the late 1970s and early 1980s. As the debate raged about what defined American folk art, members of The American Folk Art Society were pulling artists from obscurity and shedding light on such topics as schoolgirl art, folk art by and about women, African-Americans, and regional folk artists.

Over its thirty-four years of existence, the Society has completed more than sixty research trips, exploring and illuminating the folk art collections of public institutions and private individuals throughout the country—from New York City to Santa Fe, and Williamsburg to Milwaukee.

Americana & African-American Art

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We couldn’t allow February to roll by without talking about Black History Month. I see by the New York Times that Macy’s is celebrating by honoring the legacy of Romare Beardon.  He may well be the best known of the contemporary African-American artists, but he is not certainly the only one.

Until recently, many of the most noted African-American artists were tossed into the category of Outsider art, mostly because motivated dealers searching for something new tracked down the obsessive artists and cultivated them. Artists like Henry Ossawa Tanner (1859 – 1937) and Black modernists and Abstract Expressionists could be found among lots of American Art, Modern and Contemporary art.

William T. Williams (1942 - ), Eastern Star, acrylic on canvas, 1971

In an interesting dovetailing of interests, Swan’s Auction Gallery in New York and an NAACP fueled campaign are now putting these artists into a new category, African-American Artists. The new collections coming to the fore stand to be admired. The works are simply excellent.

An NAACP backed gallery show took place last Fall in Chelsea. It was big, it was broad, it was amazing.  And, on Thursday, February 16, Swan’s Auction Gallery in New  York will hold its 6th annual sale of African-American Fine Art.

According to Nigel Freeman, specialist, this is the time to buy African American art. It’s not undervalued, he said recently at an “Art of Leadership” lecture; its painters have simply been unknown.

Master works by Max Roach, abstracts by Norman W. Lewis, Mavis Pusey, William T. Williams, Hughie Lee Smith cmake a commanding presence in Swann’s catalog.

By next year, we expect a few auction houses to catch on the phenom. So, if you are into excellent Americana created by a sector of the art world thath as been overlooked, check out the offerings at Swann’s.