Category Archives: Books

Nashville Antiques Week Starts Today

Screen shot 2012-02-03 at 9.51.01 AM

Music City, TN is alive with dealers showing Country Americana. Nashville Antiques Week opens today.

Part of the excitement in Nashville this year is the premier of the Vintage Marketplace at the Tailgate-Music Valley show. On the cutting edge of vintage, art, design, and antiques, show promoter Jon Jenkins says this group of exhibitors are inspiring the next generation of enthusiasts with their unique style, energy, and determination to share what they love. Vintage Lamps in Nashville

The Vintage Marketplace is a new feature of the long running Tailgate-Music Valley Antiques Show, a nationally established event with a reputation as one of America’s best shows. The Vintage Marketplace will help move Tailgate-Music Valley into their new home, the Hendersonville Expo Center with an exciting inaugural event.

See some of the dealers exhibiting at the Vintage Marketplace here. Don’t miss early bird buying $40- 9 a.m. to noon-February 2 (includes readmission for entire show).

Ceramics Fair

PostWarGermanCeramicSculpture

Cruising the Ceramics Fair yesterday, one of the longest running January antiques shows,  one thing was immediately clear. Porcelain is a living art.

In fact none other than Ai Wi Wi, the Chinese artist who changed the economics of an entire porcelain making village by commissioning thousands of  porcelain sunflower seeds for his installations, is on the cover of the “Ceramics in America.” The annual hardcover is published by the steward of porcelain, the Chipstone Foundation.  If that’s putting the Present in Porcelain, what could?

The hand of the artist, in fact, is visible in all the sculptural and decorative items for sale.  Whether old or contemporary, these works invite you to ask about the process.

One of the most notable exhibits is “Ceramic Art of Post 1945 Germany.” Set in the aftermath of World War II, a group of ceramic artists set out to make fresh beginnings. The highly geometric pieces, most with glazes of grays and earth tones, twist, twirl, rise, round, and reach out in all directions. The sculptural over rides the practical and from an aesthetic point of view, as you’ll see from the Beate Kuhn item in our featured image, they are visually stimulating.

At Katherine Houston Porcelain, Boston, MA, the artist herself was very much in

Katherine Houston with her "Big Apple" sculpture

evidence. Having once worked with Neiman Marcus, Houston fired up her own studio and now creates porcelains – real, hard paste porcelain, not pottery. Her large pumpkin, commissioned by Barbara Bush, decorates the White House.

Houston’s process is not a slap dash one. It begins with hand formed clay, moves on to a firing – bisque – at about 1500 to 1800 degrees,  goes back into her hands for a clear glaze and another firing at 2500 degrees, which produces something like blanc d’chine. Overglazes in color are then fired at a lower temperature – each color gets its own firing – and if she uses gold, it’s fired three more times.

Clarice Cliff Art Deco Pottery at Cara Antiques

A Cara Antiques, from Langhorne, PA, the colorful Art Deco ceramics of Clarice Cliffe, active in the 1930s- 1940s, make you want to take them all home. The oranges, blues and greens on these pieces are vibrant, rare treats for the eye.

Best advice on this snowy day: head on over to the Ceramics Fair at Bohemian National Hall on East 73rd Street, and bask in the beauty of ceramics.

And if you’re still not convinced that porcelain is a living art, , maybe this picture of Ai Wi Wi, arguably

Ai Wi Wi and handfu of porcelain sunflower seeds on cover of 2012 Chipstone Society's Ceramics in America

the best known contemporary artist today, will convince you.

The NY Ceramics Fair opens at 11 a.m. and runs through tomorrow, Sunday, till 4:00.  (Click the link for directions and details on discount parking.) Bohemian National Hall has a delightful cafe where you can snack on sandwiches made on “fried bread.” The prices are right. The menu perfect for a day like today. And, once inside, there’s no reason to leave until you have purchased the piece that’s perfect for your apartment.

Metro Show Opens

Everything

I made my way to the Metro Show opening last night and it looked great. The dealers were psyched, as well they should have been because within minutes of the official opening the line went through the lobby to the front door of the Metropolitan Pavilion. Once inside, wall to wall people were having a good time. Many faces were familiar and it seemed that everyone knew everyone else. Collectors. Decorators. Museum Curators.

The theme of the show is “Breaking Boundaries,” and the mix of antique and modern pretty much reflected that.

Scott Chalfant - Phladelphia Desk and Modern Painting

The HL Chalfant booth was a striking mix of traditional and modern. An antique Philadelphia desk juxtaposed with a Nakashima cocktail table.

At David Rudd’s American Decorative Arts, a mission style sofa sported leather upholstery samples, making it clear that it’s easy to fit old into the new scenario.

Throughout, the look was crisp, clean and blended. If this isn’t a statement about the evolving aesthetic, I don’t know what is.

Building a Library of Americana: Picturesque America

Picturesque America From Wikipedia Public Domain

There’s nothing that makes a room feel steeped in history and knowledge than a case filled with vintage books. The lure of the book may be sometimes lost in this age of Kindle and the Ipad, but to many there’s still nothing quite like the printed page. Collecting rare books is fun and fulfilling, and there will be many opportunities during Americana Week’s Antiques Shows to start building your library. Collecting old books also provides an opportunity to learn more about American antiques and art.

Through this series we’ll try to provide a list of books that aren’t too hard to come by, and ones that are still relatively attainable, but no less worthy of treasure. One such book is a two-volume series called Picturesque America.

Before the age of constant media, moving images, computers or even photographs, there was a still none-the-less the desire to explore the world within the confines of the home. This series provided reader’s with a wealth of romance and knowledge about the scenic United States. Today the volumes are a desireable gift for foreign dignitaries. When President George H.W. Bush met Gorbachev at a summit conference he presented two finely bound volumes of this work as a gift to the Soviet premier.

Picturesque America The City of Saint LoiusPicturesque America was published by D. Appleton and Company of New York in 1872 and 1874 and edited by the poet and journalist William Cullen Bryant, who also edited the New York Evening Post. Essays in the book, together with its nine hundred wood engravings and fifty steel engravings, are considered to have had a profound influence on the growth of tourism and the historic preservation movement in the United States.

The engravings are based on the paintings of some of the best American landscape painters of the time including John Frederick Kensett, James David Smillie, Thomas Moran, William and James McDougal Hart, Worthington Whittredge, Homer Dodge Martin, Robert Swain Gifford, Thomas Cole and others. It was great to see a copy of Picturesque America in the Amon Carter Museum of American Art in Fort Worth, Texas this summer, along with the traveling Hudson River masterpieces from the New York Historical Society (now reinstalled in the New York galleries).

Don’t Miss Book Alley at the Pier!

Picturesque America was a huge undertaking. It cost nearly $140,000 in 1870s dollars just for the traveling artists to make the drawings of everything from the City of Saint Louis to the Rocky Mountains. It was first published as a magazine series and then as a subscription book.

As stated by Sue Rainey, in her Creating ‘Picturesque America, “As the first publication to celebrate the entire continental nation, it enabled Americas, after the trauma of the Civil War, to construct a national self-image based on reconciliation between North and South and incorporation of the West.”

As with most things collectible, it’s important to find volumes in the best condition possible. It’s also important to make sure there aren’t missing pages. It’s possible engravings have been removed, colorized and sold individually. In poor condition, sets can be found for less than $200, but sets in good condition can bring considerably more, upwards of $2,000. The bound volumes were also issued with different bindings, including those with leather and gold leaf.

Purchasing the book may be the easiest way to gain a fine collection of work by notable Hudson River School painters.