Tag Archives: Americana

Antiques at the Armory

sswanpamter

The 69th Regiment Armory on Lexington Ave at 26th Street holds a bevy of surprises for shoppers today. I checked in there yesterday and was awed by the ambiance, the exhibits, and the good deals.

This is where you will find the elite of the American antiques dealers-as passionate about their chosen fields as anything you can imagine. Judith Milne, for example, is on the first row and her collection of weather vanes, advertising art and more is just the type of thing you want to add to a modern apartment or, well, just about anywhere.

The Spirit of America at Antiques at the Armory

Around the  corner, Doug and Bev Norwood of Spirit of America, are about as easy to talk to as anyone in the trade. And their collection is just superb.

At A Bird in Hand, you’ll have an excuse to splurge on rarities that span weather vanse, models of dogs, and needlework.  The carved wooden swan here is from their exhibit. The articulated bird is beautiful, still has some white pigment remaining and – guess what – is practical. It had been converted to a planter and probably looks awesome laden with greens.

There is more, of course, including excellent selection of estate jewelry and designer  vintage costume jewelry. You’ll find perfect quill boxes, African artifacts, sterling pieces, and posters, among the outstanding categories.

If you’re looking for a laid back, classy act, the Armory is the place to be this afternoon. And you’ll get in on the Combo ticket that gives you access to the Pier show as well. Try the free shuttle bus to get around today.

Life in Cross Stitch. 5th in a 12 part series on Americana

1819 Sampler by Eliza Mersole of New Jersey

The polite arts, as practiced by genteel young women years ago, are often called “women’s work.”  No longer politically correct, the term does reflect the time-consuming arts women once practiced. Andrea Valluzzo gives us the background of samplers, those cross stitched works of art that tell so much about the past.

Schoolgirl samplers are among the most charming of Americana’s many forms. They reflect a time when women learned early on the skills they would need later on. Their training incorporated practicality with beauty.  Combined lessons in citizenship, faith and patriotism with leisure time pursuits.

According to the National Museum of American History, the earliest known American sampler was made by Loara Standish of the Plymouth Colony about 1645.

By the 1700s, girls were taught needlework by women family members.  In the early 1800s, schools to teach well-to-do young ladies the polite arts sprang up throughout New England and down the coast towards Philadelphia and into Bucks County, PA.

samplelr by 12 year old

Electa Dickenson created this sampler at age 12, c. 1825.

A girl’s journey to womanhood could be traced by  her collection of samplers – from the simplest of ABC styles to the most complex and elaborate embroideries. Recently,  schoolgirl samplers have received a lot of attention from museums as a way to study the education of girls in early America.

Alphabet and floral motifs were common. Religious themes, and samplers among girls who attended the same schools, can easily be attributed to certain regions.

The samplers we love the most are the unusual examples that stand out for their individuality and craftsmanship.

The sampler to the left, for instance, comes from Chester County, PA. It was wrought in 1821 by a 12-year-old girl.  While the sampler depicts the familiar vase of carnations, what sets it apart are the  crown flanking the central image. The grapevine motif is also unique.

1821 Sampler by Eliza Wilson of Chester County, PA

Among Connecticut River Valley samplers, examples from Wethersfield, CT. frequently include town scenes along with garlands of flowers held aloft by an eagle. Many are family records,  such as this circa 1818 needlework sampler. Shown at left. Note its complexity and the skill level of the stitcher.

Schoolgirl samplers will make a strong showing during Americana Week.  Sotheby’s will auction samplers from the collection of sampler expert, author and avid collector Betty Ring.  Dealers are certain to pick up on the popularity of samplers as well, with offerings for new buyers enchanted with art and seasoned collectors looking for something special.

Today’s featured image is an 1819 sampler by Eliza Meserole of New Jersey.

 

 

 

It’s Time to Embrace Americana Again

MAD advertisement

MAD editorialThis editorial previously appeared in Maine Antiques Digest

Now is the time to embrace Americana.

Let’s face it, times are tough for the American decorative arts. Sure, there’s the two percent of the best of the best that still commands attention and high prices, but we can do more. For the industry to thrive, middle America needs to rediscover Americana.

But, you know what? Americana is hot at the other end of the spectrum too. At markets like the Brooklyn Flea, Millennials are eating up advertising signs, industrial remnants and other items that is nothing if it isn’t Americana. They may not call it that, but the love is there.

Looking forward to New York’s Americana Week in January, a discussion brought to light the need for a more comprehensive effort to promote the week, and bring new audiences in to discover Americana. Until now promotions have been aimed by individual shows and auctions at the same audience.

That realization has given birth to a new campaign called AmericanaWeek.com. Everyone involved is invited to participate, and absolutely everyone is encouraged to make it to New York for the week that celebrates not only Americana, but America.

That’s what a love for Americana is, isn’t it? A love for America and for the visible evidence of our history and traditions. A look through the headlines and it quickly becomes clear that we need a little boost. It’s time to renew the national affair with American Antiques.

It’s time to love Americana again.

Eric Miller
AmericanaWeek.com

Societies that Preserve American Art & Antiques

America's premier museum of American fine art and decorations

If you have recently discovered a passion for things American,  you will be happy to know that there are societies and organizations dedicated to preserving different aspects of American art and antiques.

These organizations exist for the sole purpose of giving out information.  Often, they are the brain child or serious collectors and carry curatorial information that would be time consuming to access elsewhere. They are also great resources for finding people of like mind.

We will start with a very short list and as the days roll by, add on.  Also, if you know of societies and organizations, please leave a comment. We will incorporate your thoughts into the body of the blog so that it becomes a comprehensive resource.

AMERICAN FOLK ART:

American Folk Art Angel

While not exactly a society, the American Folk Art Museum is the premier institution devoted to the aesthetic appreciation of traditional folk art and creative expressions of contemporary self-taught artists from the United States, and abroad. AFAM preserves, conserves and interprets a comprehensive collection of the highest quality, with objects dating from the 18th Century to the present.

2 Lincoln Square

Columbus Avenue and 66th Street

New York, N.Y.

212-595-5933

WINTERTHUR

Founded by Henry Francis du Pont, Winterthur (pronounced “winter-tour”) is the premier museum of American decorative arts. Its collection of  nearly 90,000 objects features decorative and fine arts made or used in America from 1630 to 1860.

The collection is organized in several main categories— ceramics, glass, furniture, metalwork, paintings and prints, and textiles and needlework.

Winterthur Collection, George Washington

George Washington, from the Winterthur Collection

Famous for its American artwork, the collection is amplified with objects from other regions of the world, illustrating the active role America played in the international market.

Winterthur’s founder, Henry Francis du Pont, formed the original collection for the museum and added to it until his death in 1969.

Winterthur
5105 Kennett Pike (Route 52)
Winterthur, DE 19735

www.winterthur.org

CERAMICS:

J Palin Thorley

The Chipstone Foundation

Publishes a volume annually, “Ceramics in America”

780 North Club Circle

Milwaukee, WI 53217

 

 

 

 

 

 

 

 

ARTS & CRAFTS

Arts & Crafts Chair

The Two Red Roses Foundation

A non-profit educational institution dedicated to the acquisition, restoration, and

public exhibition of important examples of

furniture, pottery and tiles, lighting, textiles, and fine arts from the American Arts & Crafts movement

4190 Corporate Court
Palm Harbor, Florida 34683

 

 

MODERNISM

Society for the Preservation of  American Modernists (SPAM)

Celebrates the art, lives and ideas of American modernists, such as painters Arthur Dove and Georgia O’Keefe, photographers Alfred Steiglitz and Edward Weston, and dancers Isadora Duncan and Martha Graham, and more.  SPAM provides research, exhibitions and publications, as well as history of private support for the arts in the US – from the WPA to the NEA.

Modernist Illustration

 

Contact:  Rebecca Foster, President

177 Ten Stones Circle

Charlotte, VT 05445

info@americanmodernists.org


 

 

Looking for America in Americana

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Broadly speaking, Americana is the material products that come from a uniquely American experience. A Kentucky bureau, an Amish quilt, a Coca-Cola sign, a Schwinn bicycle and a Harley Davidson can all be seen and celebrated as Americana. To celebrate Americana is to celebrate American material culture. It’s as broad and deep as the country and open to both the narrow and expansive interpretations.

When we think of Americana, we often think of the folk art, colonial furniture and other items that relate to the people here in the early days- our ancestors. That’s one definition, and you’ll find lots of that in the

museums and shows at Americana Week. Americana goes beyond that. Andy Warhol brought forth a certain way of looking at Americana, and his iconic images are Americana as much as the soup cans he depicted are.

Then there’s the Americana of the West, and of Native Americans. As different people and cultures are woven into the American fabric, what is seen as Americana broadens and brings new stories to light.

Recently on ebay I spotted a Chock full o’Nuts coffee can with an image of the World Trade Center on it. That’s Americana. Watch an episode of American Pickers, from Coke signs to Schwinn bicycles, that’s Americana. In fact, lots of people are out there at flea markets and fairs finding Americana without ever thinking much about what it is. But looking for Americana is a process of looking for America, and one of discovering ourselves, our history and the stories about the people the items bring to life.

And so I asked a few folks for their definitions. I hope you’ll add yours in the comments section. We’ll continue to add more.

“Ordinary items that reflect the way American’s lived in the past.”

Mary Kates Ballard

“From my perspective, Americana reflects who we are. After 1830 we shook the allegiance to European roots and began to form our own ideas. Since our backgrounds are German, English, Irish, Scotch and even French, we couldn’t help but reflect those cultures. However we began to make furniture from native woods, pine, poplar, cherry and walnut instead of importing mahogany from Europe. Basic needs were met when we made blanket chests, food safes and cupboards. Many were painted and decorated to reflect the ancestry of the makers.

Booth of flag dealer Jeff Bridgman at Antiques and Art at the Armory in 2010

Women contributed by gathering together to make quilts, coverlets and carpets. These were made in the colors and designs that reflected their individual backgrounds, much the same as flags. We didn’t have fine institutions for education in the arts but we had artists who painted signs and decorated wagons and many also drew and painted portraits or landscapes for their customers as gifts or extra money.

We are a proud people and like decorative objects and so we began to create chalk ware (actually a form of paper mache) figures to resemble the fine English Staffordshire and to decorate our every day stoneware with wonderful pictures of flowers and animals. School girls practiced the art of sewing and embroidery.

Americana is really the feeling that all of these objects gives us; one of warmth, friendliness and texture. Some of us are lucky enough to have inherited the originals; others have become collectors through antiques sales and flea markets. But there are many reproductions available that will create a great Americana facsimile. Mostly Americana makes you feel good and makes you proud. Obviously as the years pass, the images will change and take on a new persona.”

Bettianne Sweeney