Tag Archives: folk art

Paint Decorated Furniture: 3rd in a Series

painted ches with hearts and symbols

On this third day of 12 Days of Americana, Andrea Valluzzo takes us on a tour of the paint decorated furniture that has enchanted generations of collectors, home owners and decorators.

With iPods, iPhones, notebooks and instant messaging, life moves at super speed.  Is there time in today’s world to slow down and appreciate the simpler things in life, to bask in the glow of a finely-crafted piece of American furniture?  There is, if you see the beauty in workmanship.

One of the best ways to start is by taking a look at Old World craftsmanship as it was practiced in America. At the time, goods made of composite materials were at least 100 years in the future.

Maine Dressing Table

Personalization was more than a luxury; it was a way of life that played itself out in samplers, quilts, even furniture.

Paint decorated furniture has been charming collectors for years and has a strong fan base that eagerly seeks out the best examples at auctions, antiques shows and galleries. Pennsylvania has a rich history of these works, especially among the Pennsylvania German communities where colorful and exuberant furniture lifted the spirits of those fortunate enough to live with these pieces.

Consider the featured image above of a recently sold dower chest. Sometimes these were called “hope chests” and often displayed the initials of the hopeful. This  gaily decorated example with painted hearts and pinwheel designs dates back to  1785. This piece likely held pride of place in the home and has been lovingly tended by its caretakers ever since, as evidenced by its retaining its vibrant colors well over 200 years after its making. Though this example has been sold, visitors to Americana Week will undoubtedly find equally charming examples of paint decorated furniture and wares from spice boxes and hanging wall cabinets to blanket chests and cupboards.

Pennsylvania does not hold sole bragging rights to painted furniture, however, and wonderful examples from other states, particularly the country’s 13 original colonies, pop up on the market here and

painted chest

Red and Green Miniature Lift Lid Blanket Box

there. A New England “dotted” chest, for example, retaining its original red and black, dot and squiggle decoration on a yellow ground, is a charmer.

Though times were hard for many of the original owners, these paint decorated utilitarian pieces brightened long days and nights.  As they continue to today.

When American Art Speaks

American colonial painting

Americans are not the only ones fascinated by the rich history of the West. Case in point is George Catlin’s “North American Indian Portfolio” that recently found a home with a German collector.

The first edition was published in 1844 and is the artist’s firsthand account of Native American life. It took quite a bit of effort, and an adventurous spirit, to  get out in the “wild” to  depict hunting scenes and

George Caitlin American Indian painting

From George Catlin's North American Indian Portfolio (1844)

amusements of the Rocky Mountains and prairies of America.  To appreciate this, you need only take a look at the broad category that is American Art.  Some of the best pieces are on exhibit through December 1 at the American Art Fair at New York’s Bohemian National Hall.

As for American colonial art, the 1786  portrait of Abigail Rose that sold recently at Skinner’s, is a supreme example of the craft.  The painting depicts a 14 year old girl seated in a Queen Anne chair next to a table that holds books and a Battersea patch box.

The composition speaks volumes about social history. And social history, from the colonists to the American Indians, is what Americana Week is about. You’ll see, and want, items that bring tears to your eyes. From the women’s work of tatting and quilting to handmade furniture that is as gentle in its presentation as mid-Century is today, you might as well plan on getting a hit of history.

You’ll find antique shows with “something for everyone,” and dealers who have searched out remnents of history so precious the might as well be considered national treasures.  If you can afford to buy, do. If not, think of the offerings as museum pieces you can touch and feel.

Americana Week is just weeks away and in the coming days we will be spotlighting some of the more interesting and intricate items you’ll see.   Come January 1, you’ll be able to download the free mobile app that gives you instant accessibility to the exhibits, the shows, the attractions that are Americana Week.

 

American Folk Art Museum Gets By With a Little From their Friends

AFAM

The American Folk Art Museum in New York has decided to stay the course-meaning they will maintain the museum at its 2 Lincoln Square site.

Friends stepping up to the plate to make sure that America’s folk heritage remains intact are led by the Ford Foundation.

According to a letter from Linda Dunne, acting director, several of New York’s museums have joined together in a spirit of cooperation to make the best of an impossible situation. They include The Brooklyn Museum, New York Historical Society, the Museum of Art & Design.

If you are not in tune with AFAM, it is home to some of the most accessible American art you can imagine. From early portraits by limners – itinerant artists – to contemporary artists, many of them obsessive, untrained masters who create for themselves – the museum has been supported by a long list of benefactors.

Whether  viewing the primitive scenes of Clementine Hunter, the Louisiana painter, or foraging through the text that accmpanies Henry Darger’s alien world – the work of Outsiders is a staple of the American Folk Art Museum.

For now, I’ll give a nod to AFAM and close with a promise to delve into the world of Outsider art at another time. But please, send a comment along letting us know that you would like to know more about it.

As a closing note to Ms. Dunne and Mr. Blanchard: If AmericanaWeek.com can further your efforts, we gladly offer our support.

Darger's children appear within a hair's breath of danger

Henry Darger

 

 

Looking for America in Americana

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Broadly speaking, Americana is the material products that come from a uniquely American experience. A Kentucky bureau, an Amish quilt, a Coca-Cola sign, a Schwinn bicycle and a Harley Davidson can all be seen and celebrated as Americana. To celebrate Americana is to celebrate American material culture. It’s as broad and deep as the country and open to both the narrow and expansive interpretations.

When we think of Americana, we often think of the folk art, colonial furniture and other items that relate to the people here in the early days- our ancestors. That’s one definition, and you’ll find lots of that in the

museums and shows at Americana Week. Americana goes beyond that. Andy Warhol brought forth a certain way of looking at Americana, and his iconic images are Americana as much as the soup cans he depicted are.

Then there’s the Americana of the West, and of Native Americans. As different people and cultures are woven into the American fabric, what is seen as Americana broadens and brings new stories to light.

Recently on ebay I spotted a Chock full o’Nuts coffee can with an image of the World Trade Center on it. That’s Americana. Watch an episode of American Pickers, from Coke signs to Schwinn bicycles, that’s Americana. In fact, lots of people are out there at flea markets and fairs finding Americana without ever thinking much about what it is. But looking for Americana is a process of looking for America, and one of discovering ourselves, our history and the stories about the people the items bring to life.

And so I asked a few folks for their definitions. I hope you’ll add yours in the comments section. We’ll continue to add more.

“Ordinary items that reflect the way American’s lived in the past.”

Mary Kates Ballard

“From my perspective, Americana reflects who we are. After 1830 we shook the allegiance to European roots and began to form our own ideas. Since our backgrounds are German, English, Irish, Scotch and even French, we couldn’t help but reflect those cultures. However we began to make furniture from native woods, pine, poplar, cherry and walnut instead of importing mahogany from Europe. Basic needs were met when we made blanket chests, food safes and cupboards. Many were painted and decorated to reflect the ancestry of the makers.

Booth of flag dealer Jeff Bridgman at Antiques and Art at the Armory in 2010

Women contributed by gathering together to make quilts, coverlets and carpets. These were made in the colors and designs that reflected their individual backgrounds, much the same as flags. We didn’t have fine institutions for education in the arts but we had artists who painted signs and decorated wagons and many also drew and painted portraits or landscapes for their customers as gifts or extra money.

We are a proud people and like decorative objects and so we began to create chalk ware (actually a form of paper mache) figures to resemble the fine English Staffordshire and to decorate our every day stoneware with wonderful pictures of flowers and animals. School girls practiced the art of sewing and embroidery.

Americana is really the feeling that all of these objects gives us; one of warmth, friendliness and texture. Some of us are lucky enough to have inherited the originals; others have become collectors through antiques sales and flea markets. But there are many reproductions available that will create a great Americana facsimile. Mostly Americana makes you feel good and makes you proud. Obviously as the years pass, the images will change and take on a new persona.”

Bettianne Sweeney